Sunday, 30 September 2007

Goodbye Unemployment...

..Hello job!

That's right, the big adventure starts tomorrow (4pm 'til 8pm) so by this time tomorrow I'll have finished my first day of work at HM Revenue and Customs so expect some kind of first day impressions of: the office, it's employers and my activities, tomorrow.

Quickie: Song of the Week

Sticking with the Foo Fighters theme that I've been having over the previous weeks. Another one from their new album; a rare piano Foo Fighters song appears here. Home is the melodic poem-like song which sees the album take a slower pace. Perfect vocals from the Grohl himself, only prove that the Foos can do it all, whether it be a head-banging rock-fest or foot-tapping indie, they are the professionals.


Home
Wish I were with you
I couldn't stay
Every direction
Leads me away
Pray for tomorrow
But for today

All I want is to be home

Stand in the mirror
You look the same
Just lookin' for shelter
From cold and the pain
Someone to cover
Safe from the rain

All I want is to be home

Echoes and silence
Patience and grace
All of these moments
I'll never replace
No fear of my heart
Absence of faith

All I want is to be home
Ooh

All I want is to be home

People I've loved
I have no regrets
Some I remember
Some I forget
Some of them living
Some of them dead

All I want is to be home


Friday, 28 September 2007

Quickie: Carlito's Way - Review

"Just when I thought that I was out they pull me back in" - Michael Corleone
(Godfather Part III)


Plot synopsis.
Reformed con, Carlito Brigante (Al Pacino) emerges from 5 years behind bars as a history-book legend to a world somewhat changed. Carlito's Way catalogs the chase of a dream; going straight, of a man who knows nothing else but to do it the wrong way. The initially moral-grounded lawyer David Kleinfeld (Sean Penn) becomes Carlito's dead weight, and tempts Carlito back into his old ways, while old flame Gail (Penelope Ann Miller) provides the polar opposite moral compass.

Carlito must choose between honour, debt and loyalty or the American dream in paradise. In a final take similar to The Untouchables (also directed by Brian De Palma), Carlito's way is left dripping in irony.


Mini-review.
After controversial success with Scarface, director Brian De Palma provides Pacino with the lead again as they, this time, tackle a gangster film more "western" than "gangs"; you can't trust your family, friends, loved ones - "...there's only one rule, you save your own ass".
Pacino and Penn are excellent as mirrors of each other and themselves as the tables turn swiftly. It's particularly interesting to watch Penn portray his character's quick self destruct as the slimey lawyer falls deeper and deeper into trouble. Carlito is played with the intensity you'd expect from Pacino, and the sympathy he generates from the audience is not only impressive but believable too. However, for all of Pacino's great work the ending was generally not met with any emotional attachment - something perhaps due to Penelope Ann Miller's portrayal of Gail; there was something missing from it which seemed to emotionally isolate Pacino's character.

3.5 out of 5
Photo Sharing and Video Hosting at PhotobucketPhoto Sharing and Video Hosting at PhotobucketPhoto Sharing and Video Hosting at PhotobucketPhoto Sharing and Video Hosting at PhotobucketPhoto Sharing and Video Hosting at Photobucket
A good standing flick about an unoriginal story. Worth a watch if not for the performances alone.

Thursday, 27 September 2007

I *Heart* Movies

I love movies. They're something I've only really started to enjoy as a hobby over the past year or so. Anyway, as a member of blockbusters my list (of DVDs that will be sent out to me) was running a tad low. I've been using the imdb top 250 list as a reference point when I run out of movies that I've wanted to see and haven't previous, and need some more ideas. imdb, for all of it's downfalls, opened my eyes to movies and introduced me to such classics as "12 Angry Men", "Seven Samurai", "Sunset Blvd.", "The Third Man", "Double Indemnity" and the astounding 1927 sci-fi classic "Metropolis"; films I'd probably not have seen otherwise. From that I've then been able to find films that have specifics in common with the aforementioned movies, and allowed me to improve my experiences and decrease my limited knowledge.

So, on to matters more pressing, I've decided to set myself a challenge; watch all 250 movies on imdb's list.

At this moment in time (I know for sure that) I've seen exactly 100 (those in bold, below), that gives me 150 yet to see. There's a few I've probably seen (like Aliens, Indiana Jones' and Snatch, for examples) but it's probably best that I see them again.

So, speaking of Indiana Jones, why not start there. The next 3 on my blockbuster list:

Indiana Jones & The Raiders Of The Lost Ark

Indiana Jones & The Temple Of Doom
Indiana Jones & The Last Crusade

Mini reviews to follow.

--------------------------------------------------------------------------

imdb 250 Top Movies

Pos. Rat. Name
1. 9.1 The Godfather (1972)
2. 9.1 The Shawshank Redemption (1994)
3. 9.0 The Godfather: Part II (1974)
4. 8.8 Buono, il brutto, il cattivo, Il (1966)
5. 8.8 Pulp Fiction (1994)
6. 8.8 Schindler's List (1993)
7. 8.8 Star Wars: Episode V - The Empire Strikes Back (1980)
8. 8.8 Casablanca (1942)
9. 8.8 One Flew Over the Cuckoo's Nest (1975)
10. 8.8 The Lord of the Rings: The Return of the King (2003)
11. 8.8 Shichinin no samurai (1954)
12. 8.8 Star Wars (1977)
13. 8.7 12 Angry Men (1957)
14. 8.7 Rear Window (1954)
15. 8.7 Goodfellas (1990)
16. 8.7 Raiders of the Lost Ark (1981)
17. 8.7 The Lord of the Rings: The Fellowship of the Ring (2001)
18. 8.7 Cidade de Deus (2002)
19. 8.6 The Usual Suspects (1995)
20. 8.6 C'era una volta il West (1968)
21. 8.6 Psycho (1960)
22. 8.6 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
23. 8.6 North by Northwest (1959)
24. 8.6 Citizen Kane (1941)
25. 8.6 The Silence of the Lambs (1991)
26. 8.6 The Lord of the Rings: The Two Towers (2002)
27. 8.6 Memento (2000)
28. 8.6 Fight Club (1999)
29. 8.5 Sunset Blvd. (1950)
30. 8.5 Lawrence of Arabia (1962)
31. 8.5 It's a Wonderful Life (1946)
32. 8.5 The Matrix (1999)
33. 8.5 Taxi Driver (1976)
34. 8.5 American Beauty (1999)
35. 8.5 Vertigo (1958)
36. 8.5 Fabuleux destin d'Amélie Poulain, Le (2001)
37. 8.5 Apocalypse Now (1979)
38. 8.5 Se7en (1995)
39. 8.5 The Departed (2006)
40. 8.5 Léon (1994)
41. 8.4 American History X (1998)
42. 8.4 Paths of Glory (1957)
43. 8.4 Chinatown (1974)
44. 8.4 To Kill a Mockingbird (1962)
45. 8.4 Eternal Sunshine of the Spotless Mind (2004)
46. 8.4 Laberinto del fauno, El (2006)
47. 8.4 M (1931)
48. 8.4 The Third Man (1949)
49. 8.4 A Clockwork Orange (1971)
50. 8.4 The Treasure of the Sierra Madre (1948)
51. 8.4 Alien (1979)
52. 8.4 The Pianist (2002)
53. 8.4 Monty Python and the Holy Grail (1975)
54. 8.4 The Shining (1980)
55. 8.4 L.A. Confidential (1997)
56. 8.4 Untergang, Der (2004)
57. 8.4 The Bridge on the River Kwai (1957)
58. 8.4 Sen to Chihiro no kamikakushi (2001)
59. 8.4 The Maltese Falcon (1941)
60. 8.4 Double Indemnity (1944)
61. 8.4 Boot, Das (1981)
62. 8.3 Requiem for a Dream (2000)
63. 8.3 Saving Private Ryan (1998)
64. 8.3 Reservoir Dogs (1992)
65. 8.3 Leben der Anderen, Das (2006)
66. 8.3 Metropolis (1927)
67. 8.3 Aliens (1986)
68. 8.3 Raging Bull (1980)
69. 8.3 Forrest Gump (1994)
70. 8.3 Modern Times (1936)
71. 8.3 Hotel Rwanda (2004)
72. 8.3 Sin City (2005)
73. 8.3 Rashômon (1950)
74. 8.3 Singin' in the Rain (1952)
75. 8.3 Terminator 2: Judgment Day (1991)
76. 8.3 Rebecca (1940)
77. 8.3 2001: A Space Odyssey (1968)
78. 8.3 The Great Escape (1963)
79. 8.3 All About Eve (1950)
80. 8.3 Some Like It Hot (1959)
81. 8.3 Ratatouille (2007)
82. 8.3 Amadeus (1984)
83. 8.3 Sjunde inseglet, Det (1957)
84. 8.3 Touch of Evil (1958)
85. 8.3 On the Waterfront (1954)
86. 8.3 The Prestige (2006)
87. 8.3 The Elephant Man (1980)
88. 8.2 Jaws (1975)
89. 8.2 Vita è bella, La (1997)
90. 8.2 The Sting (1973)
91. 8.2 Strangers on a Train (1951)
92. 8.2 The Manchurian Candidate (1962)
93. 8.2 The Bourne Ultimatum (2007)
94. 8.2 Full Metal Jacket (1987)
95. 8.2 The Apartment (1960)
96. 8.2 Batman Begins (2005)
97. 8.2 Braveheart (1995)
98. 8.2 The Big Sleep (1946)
99. 8.2 City Lights (1931)
100. 8.2 Nuovo cinema Paradiso (1988)
101. 8.2 The Great Dictator (1940)
102. 8.2 Mr. Smith Goes to Washington (1939)
103. 8.2 Blade Runner (1982)
104. 8.2 Once Upon a Time in America (1984)
105. 8.2 Notorious (1946)
106. 8.2 The Wizard of Oz (1939)
107. 8.2 Star Wars: Episode VI - Return of the Jedi (1983)
108. 8.2 Million Dollar Baby (2004)
109. 8.2 High Noon (1952)
110. 8.2 Fargo (1996)
111. 8.2 Kill Bill: Vol. 1 (2003)
112. 8.2 Ran (1985)
113. 8.2 Donnie Darko (2001)
114. 8.2 Back to the Future (1985)
115. 8.2 Salaire de la peur, Le (1953)
116. 8.2 Cool Hand Luke (1967)
117. 8.2 Unforgiven (1992)
118. 8.2 Oldboy (2003)
119. 8.2 Indiana Jones and the Last Crusade (1989)
120. 8.1 Mononoke-hime (1997)
121. 8.1 Annie Hall (1977)
122. 8.1 The Green Mile (1999)
123. 8.1 Per qualche dollaro in più (1965)
124. 8.1 The Sixth Sense (1999)
125. 8.1 Grindhouse (2007)
126. 8.1 Yojimbo (1961)
127. 8.1 The Incredibles (2004)
128. 8.1 Gladiator (2000)
129. 8.1 Ben-Hur (1959)
130. 8.1 Finding Nemo (2003)
131. 8.1 Ladri di biciclette (1948)
132. 8.1 Life of Brian (1979)
133. 8.1 Children of Men (2006)
134. 8.1 The Deer Hunter (1978)
135. 8.1 V for Vendetta (2005)
136. 8.1 The Killing (1956)
137. 8.1 Kind Hearts and Coronets (1949)
138. 8.1 Die Hard (1988)
139. 8.1 Platoon (1986)
140. 8.1 Notti di Cabiria, Le (1957)
141. 8.1 It Happened One Night (1934)
142. 8.1 Crash (2004/I)
143. 8.1 Diaboliques, Les (1955)
144. 8.1 The Princess Bride (1987)
145. 8.1 The Graduate (1967)
146. 8.1 Battaglia di Algeri, La (1966)
147. 8.1 The General (1927) 11,426
148. 8.1 Letters from Iwo Jima (2006)
149. 8.1 Brief Encounter (1945)
150. 8.1 Amores perros (2000)
151. 8.1 Smultronstället (1957)
152. 8.1 The Wild Bunch (1969)
153. 8.0 Gandhi (1982)
154. 8.0 Shadow of a Doubt (1943)
155. 8.0 Butch Cassidy and the Sundance Kid (1969)
156. 8.0 Kill Bill: Vol. 2 (2004)
157. 8.0 Judgment at Nuremberg (1961)
158. 8.0 Dog Day Afternoon (1975)
159. 8.0 3:10 to Yuma (2007)
160. 8.0 Little Miss Sunshine (2006)
161. 8.0 The African Queen (1951)
162. 8.0 The Adventures of Robin Hood (1938)
163. 8.0 Stand by Me (1986)
164. 8.0 8½ (1963)
165. 8.0 Wo hu cang long (2000)
166. 8.0 Heat (1995)
167. 8.0 Superbad (2007)
168. 8.0 The Night of the Hunter (1955)
169. 8.0 The Conversation (1974)
170. 8.0 Hot Fuzz (2007)
171. 8.0 Duck Soup (1933)
172. 8.0 Harvey (1950)
173. 8.0 The Big Lebowski (1998)
174. 8.0 Gone with the Wind (1939)
175. 8.0 Nosferatu, eine Symphonie des Grauens (1922)
176. 8.0 The Grapes of Wrath (1940)
177. 8.0 The Gold Rush (1925)
178. 8.0 Witness for the Prosecution (1957)
179. 8.0 Cabinet des Dr. Caligari., Das (1920)
180. 8.0 Trainspotting (1996)
181. 8.0 Groundhog Day (1993)
182. 8.0 Patton (1970)
183. 8.0 Snatch. (2000)
184. 8.0 Toy Story (1995)
185. 8.0 Glory (1989)
186. 8.0 The Thing (1982)
187. 8.0 The Day the Earth Stood Still (1951)
188. 8.0 Bride of Frankenstein (1935)
189. 8.0 Belle et la bête, La (1946)
190. 8.0 Twelve Monkeys (1995)
191. 8.0 Lola rennt (1998)
192. 8.0 Ed Wood (1994)
193. 8.0 The Best Years of Our Lives (1946)
194. 8.0 King Kong (1933)
195. 8.0 Sleuth (1972)
196. 8.0 Toy Story 2 (1999)
197. 8.0 Scarface (1983)
198. 8.0 Spartacus (1960)
199. 8.0 The Terminator (1984)
200. 8.0 The Lady Vanishes (1938)
201. 8.0 In the Heat of the Night (1967)
202. 8.0 The Exorcist (1973)
203. 7.9 Frankenstein (1931)
204. 7.9 The Philadelphia Story (1940)
205. 7.9 Big Fish (2003)
206. 7.9 The Ox-Bow Incident (1943)
207. 7.9 Mystic River (2003)
208. 7.9 The Lion King (1994)
209. 7.9 Magnolia (1999)
210. 7.9 Anatomy of a Murder (1959)
211. 7.9 The Hustler (1961)
212. 7.9 Stalker (1979)
213. 7.9 Lock, Stock and Two Smoking Barrels (1998)
214. 7.9 Ying xiong (2002)
215. 7.9 Bonnie and Clyde (1967)
216. 7.9 Casino Royale (2006)
217. 7.9 Young Frankenstein (1974)
218. 7.9 A Christmas Story (1983)
219. 7.9 Pirates of the Caribbean: The Curse of the Black Pearl (2003)
220. 7.9 Out of the Past (1947)
221. 7.9 Hotaru no haka (1988)
222. 7.9 Finding Neverland (2004)
223. 7.9 A Streetcar Named Desire (1951)
224. 7.9 Dial M for Murder (1954)
225. 7.9 Rosemary's Baby (1968)
226. 7.9 In Cold Blood (1967)
227. 7.9 Shaun of the Dead (2004)
228. 7.9 Stalag 17 (1953)
229. 7.9 Cinderella Man (2005)
230. 7.9 Shrek (2001)
231. 7.9 Mou gaan dou (2002)
232. 7.9 Manhattan (1979)
233. 7.9 Casino (1995)
234. 7.9 Rope (1948)
235. 7.9 Du rififi chez les hommes (1955)
236. 7.9 Zodiac (2007/I)
237. 7.9 All Quiet on the Western Front (1930)
238. 7.9 Umberto D. (1952)
239. 7.9 The Lost Weekend (1945)
240. 7.9 A Man for All Seasons (1966)
241. 7.9 Persona (1966)
242. 7.9 Before Sunset (2004)
243. 7.9 Roman Holiday (1953)
244. 7.9 Doctor Zhivago (1965)
245. 7.9 Brazil (1985)
246. 7.9 Hauru no ugoku shiro (2004)
247. 7.9 Network (1976)
248. 7.9 Mulholland Dr. (2001)
249. 7.9 Dolce vita, La (1960)
250. 7.9 Haine, La (1995)

Tuesday, 25 September 2007

Donnie Darko - Movie/DVD Review

28 days... 6 hours... 42 minutes... 12 seconds.
That... is when the world... will end.


Movies are like dancing; some people are good at it, some are creative and flashy with their techniques, some stick to a step-by-step routine of how to dance, while others will take everything they know about dancing and do something completely different, some dance routines make us cry, others make us laugh, sometimes dancing is pulled off by one individual, where others it is performed by 100s of individuals working together.

It's difficult to put Donnie Darko into one of those categories, perhaps because it does a bit of everything, takes you by the hand, spins you around, - your beliefs, the hero and anti-hero mantras - twirls you around and throws you down to the ground in one last hurrah; a final dramatic play that sees your partner fall to the ground while you look on wonder "but what if..."

First of all, Donnie Darko is not a horror, it is not a slasher, it's not supposed to make you jump, it's not an emo flick (unless you mean emotional film; and surely that describes all movies?) so expecting a guy in a mask to jump out and scare you is going to leave you out in the dark with regard to the true genius of this film. I'm not really sure what happened; it's a bit of an indie film - it's not a blockbuster - but once it was released it seemed to take on it's own life (funded by marketing money men?) which saw it being sold to the masses as something everyone can relate with; everyone has an opinion on slashers/horrors; you either love them or hate them.

The Characters.
Truth is, you can't put Donnie Darko into a neat (generalized) genre box; there's no real good people in this film; no hero or savior (though Donnie [played to perfection by Jake Gyllenhaal] eventually becomes that figure). Likewise, there's no anti-hero; not even fruitloop, fear vs. love Jim Cunningham (Patrick Swayze) running a child-porn ring, or Donnie's little dancing sister (Daveigh Chase), or Donnie's older less wiser sister (played by real life sister, the underrated Maggie Gyllenhaal) who doesn't really know what she wants to be; a teenager or a college-bound woman, or his understanding parents (Rose and Eddie played by Mary McDonnell and Holmes Osborne respectively) whom seem to play second fiddle to their three children; sometimes blindly supporting the bad things in their children's lives and seamlessly allowing people to walk over them in the process.

Supporting Donnie's family is an extremely strong and diverse cast; faces we've all probably seen at some point.
The purdy Jena Malone plays Donnie's love interest, Gretchen Ross, who's a bit missed up herself; new girl in school who had to move (and change her name) because her mothers ex-husband stabbed her mother four times. Gretchen's desire is to see the good things in the world; and to prove to herself that the world can be beautiful. Ironically she sees this in disturbed bunny seeing Donnie, who himself is afraid of solitude, confused, but at the same time curious of the world and it's lies.
Speaking of the Bunny, what can be said? Except that it makes for an unbelievable conclusion; having already seen it before I watched it (er.) again, I knew what was coming and the explanation of "Frank" the demonic dummy (played by James Duval) whom seems to be manipulating and pulling the strings of Donnie; with the promise that it will eventually save the world from destruction.
Trying to prove that this is nothing but utter nonsense and to get to the root of Donnie's problems is understanding shrink Dr. Lilian Thurman (played'eth by Katharine Ross - I had no idea that was her, until I looked it up!).


Storyline.
I like to keep things regarding plot, character arcs when reviewing movies mostly vague as I don't like to spoil and so on, I feel it also helps the review itself - it keeps things objective; so I'll keep it vague. Although the basic premise of this film is an old one (to save the world) that isn't really what this film is about. In fact, it's really about how it doesn't need saving (I didn't italicize the wrong word there), as the film presents the theory that we're all on a unchangeable path. Donnie talks to teacher Kenneth Monnitoff (Noah Wyle) about the theories of time travel; Donnie debates that if you can see your fixed path (and thus your future) you could change it. However, Monnitoff explains that this perspective is a contradiction; if you could see your future you could change your destiny, thus it wouldn't be a fixed path. Donnie hits back by saying that view is irrelevant if you could see "God's path".

"God's path" is perhaps the most obvious of the religious undertones scattered throughout the film; redemption, prophecies, destiny, faith, a higher power, sacrifice; these are all covered in Donnie Darko, but it avoids being pretentious in it's content as it never truly answers the issues it poses, it doesn't force feed a truth or single theory. Instead it merely guides you, like Frank does Donnie, and then asks you to choose, or not as the case may be.

Essentially, Donnie looks at the actions he is performing (dictated by the from the future touting bunny) as a means to that end; to change ones destiny. Donnie is terrified that he will die alone, having little or no meaning to his own existence. Dr. Thurman explains; "If the sky were to suddenly open up, there would be no law, there would be no rule. There would only be you and your memories. If this world were to end, there would only be you... and him... and no one else." Although she means this as more of a if your false reality would end... in the end she is right; "Every living creature on earth dies alone." but the thumb print left by the death of an individual is sometimes greater than we could imagine; the people who we've interacted with (little or small) are all influenced by their experiences with us. The movie ends with that note soaring high.

The conclusion to Donnie Darko, sends you on a roller coaster of realization. The pieces fall into place not just for the audience, but for Donnie himself. He finally realizes why Frank has been hounding him, and in a fantastic montage, everyone else realizes what Donnie meant to them. In essence, they are all given a second chance through Donnie's choice and his ability to see "God's path". Most of the characters are like glasses of water; each of them are exactly half full (half good - half not so much). Donnie's 'choice' allowed for those characters to have full glasses, it also gives them the choice, a new set of cross roads which would not have been there were it not for the actions of Donnie.

5 out of 5
Photo Sharing and Video Hosting at PhotobucketPhoto Sharing and Video Hosting at PhotobucketPhoto Sharing and Video Hosting at PhotobucketPhoto Sharing and Video Hosting at PhotobucketPhoto Sharing and Video Hosting at Photobucket

Closing words.
Watch it. Love it. Hate it. But have an opinion on it.


Films like this: American Beauty, The Butterfly Effect, Fight Club (according to imdb)...

Monday, 24 September 2007

Pro Evolution Soccer 2008: "After-the-initial Impression" Impressions

Pro Evolution Soccer 2008 Demo


I'm glad I didn't write this mini review directly after the first match I played on the Pro Evolution Soccer 2008 demo (Xbox 360), as it would have fallen way short of the Fifa demo.

Initially, it felt too fast and more arcadey than any previous games. I think what has happened this year is Fifa have gone too realistic, and have forced this extremely slow (but, perhaps, more realistic) paced game on to it's gamers. Where as PES, although faster (maybe, still, a little too fast) gives the player that freedom to slow the game down with their individual style of play. Now, it's hard to gauge the success on this with the demo, as it's only a 5 minute match so it's hard to really play a slow passing game with the clock counting down (up?) so fast, but it's an option that's plain to see.

Graphically. I feel I'm missing out. I don't own a 30'inch HDTV, I have a 15 inch portable that I play my games on, but it does look better; improved much so. But no ground breaking. The likenesses of the players are perfect and leagues ahead of the license-grabbing corporation that is Electronic Arts.

Gameplay. The different types of players handle and feel different, where as, with the Fifa demo, this wasn't so obvious; every player seemed to handle almost the same even though it was obvious who were the better players. Pro Evolution Soccer 2008, firstly allows you to play your style, but also limits that with the players you have at your disposal. Say you play Morientes instead of Torres (Spain nation team). Morientes is marginally better than Torres in the air, but Torres offers that thread in behind; he's faster and more direct. However, compare Torres to the more slight build but more skillful Villa; Villa has more tricks and a better touch, but the taller more heavy built Torres will be harder to knock off of the ball. Now that goes for every player; every player has his own strengths and weaknesses and thus far it looks like this has been tweaked to it's best in this most recent version.

A few niggles however...

Goalkeepers. Are these men between the sticks so difficult to code? Fifa's were in some kind of slo-mo limbo, where as there's a host of bad things about the keepers of PES. I feel the goalkeepers are worse than they were in PES6, which just isn't on. They'll rarely keep a hold of a shot, even when it's fired straight at them. We were promised that goalkeepers will try to push shots around the post instead of into the path of an oncoming striker... Bull-hucky! They're worse than ever! At least Fifa have the animations down to a 'T', PES goalies are lacking in this area too. Fix it KONAMILots 'O Glitches. Animation popping, telekinesis goalkeepers, terrible hit collision... The list goes on. I accept that this is a demo so I assume these will all be fixed for its release.

Ref and Lino's. Refs seem better but less consistent! They now let well timed challenges go, even if you get the ball and the player! Score! But they'll now send you off for fouls on the half way line, and give penalties for perfectly timed challenged coming in from the front?! Sort it out..


And that's it really. I'm really enjoying it apart from the occasion glitch and (sometimes related) terrible goalkeeping/Referee error. If the niggles are fixed it should be the best PES to date (maybe!).

Full version still expected for 26th of October - so about a month!
Much love,

RU

Quickie: Song of the Week!


To celebrate the release of this bands new album it's only right that I do so with one of their songs. And what better than using the new single from the new album?

Echoes, Silence, Patience & Grace is the bands 6 (studio) album and sees the band going in yet another directions (though, debatable, a similar direction as the original, self titled, Foo Fighters album). And the song of choice for this week is the impressive The Pretender.

The Pretender
Keep you in the dark
You know they all pretend
Keep you in the dark
And so it all began

Send in your skeletons
Sing as their bones go marching in... again
The need you buried deep
The secrets that you keep are at the ready
Are you ready?
I'm finished making sense
Done pleading ignorance
That whole defense

Spinning infinity, boy
The wheel is spinning me
It's never-ending, never-ending
Same old story

What if I say I'm not like the others?
What if I say I'm not just another one in your place
You're the pretender
What if I say I will never surrender?

What if I say I'm not like the others?
What if I say I'm not just another one in your place
You're the pretender
What if I say I will never surrender?

In time or so i'm told
I'm just another soul for sale... oh, well
The page is out of print
We are not permanent
We're temporary, temporary
Same old story

What if I say I'm not like the others?
What if I say I'm not just another one in your place
You're the pretender
What if I say I will never surrender?

What if I say I'm not like the others?
What if I say I'm not just another one in your place
You're the pretender
What if I say I will never surrender?
[The Pretender lyrics on http://www.metrolyrics.com]


I'm the voice inside your head
You refuse to hear
I'm the face that you have to face
Mirrored in your stare
I'm what's left, I'm what's right
I'm the enemy
I'm the hand that will take you down
Bring you to your knees

So who are you?
Yeah, who are you?
Yeah, who are you?
Yeah, who are you?

Keep you in the dark
You know they all pretend

What if I say I'm not like the others?
What if I say I'm not just another one in your place
You're the pretender
What if I say I will never surrender?

What if I say I'm not like the others?
What if I say I'm not just another one in your place
You're the pretender
What if I say I will never surrender?

What if I say I'm not like the others?
(Keep you in the dark)
What if I say I'm not just another one in your place
(You know they all... pretend)
You're the pretender
What if I say I will never surrender?

What if I say I'm not like the others?
(Keep you in the dark)
What if I say I'm not just another one in your place
(You know they all... pretend)
You're the pretender
What if I say I will never surrender?

So who are you?
Yeah, who are you?
Yeah, who are you?